Kiara Bland

Morison is an original but versatile serif family. With just about the right amount of personality and character, it can stand out when needed, but works equally well in everyday tasks where legibility is the key. The Morison family consists of separate stylistic ranges for display and text use. Each range comes in eight weights with corresponding italics. The display versions are sophisticated enough for tasks where a certain amount of extra elegance and flair are required, without compromising much on legibility. The text versions, however, are true workhorses, suitable for continuous texts in small sizes. All Morison fonts are equipped with handy Open Type features, such as built-in small capitals and multiple numeral styles.

Roag is an industrial geometric sans paying homage to mechanical designs of the 1930s. A precise balance of modern geometrics, with a functional yet sparing style that effectively communicates without distraction. Roag is a straightforward, unadorned type family with efficient construction. Details include seven weights with matching italics and over 950 characters per style. Opentype features consist of eight variations of numerals, including inferiors, superiors, fractions, case figures and circled figures. Additional features include small caps, case-sensitive forms, stylistic alternates, ligatures, game symbols, arrows and language support covering Western, South, Central Europe and Vietnamese.

Aequitas is an expressive Roman Display typeface with three weights. Aequitas is great for fashion, branding, packaging or editorial use. Each weight of Aequitas is equipped with Swash & Titling Alternates.

This is a version of Comic Code whose OpenType ligatures are ON by default. Comic Code is a monospaced adaptation of the most infamous yet most popular casual font. Designed specifically for programming, which is a corner of typography that involves intensive typing that feels more akin to handwriting than typesetting, this typeface took inspirations from friendly characteristics and low-resolution legibility of Comic Sans. It is an unapologetic admittance of Comic Sans’s positives, and a literal manifestation of “code like nobody’s watching“. Comic Code only takes inspiration from Comic Sans and was drawn entirely from scratch, in case you are wondering.

Despite what some might say, you can’t just always go for that most ubiquitous font in the world, can you? Avion font family channels those cool modernist vibes yet brings something new to the table. With a slightly more rectangular approach and some clever detailing, Avion has a distinct look of its own, yet provokes a calming familiarity of neutrality and objectiveness. As goes without saying, it’s also equipped with a sensible amount of features that make it a true, versatile workhorse. Get on board.

Lucida Calligraphy is a chancery cursive script typeface family designed by Kris Holmes and Charles Bigelow. It is a very legible and readable typeface, designed for use on screen and in print environments. Lucida Calligraphy was originally released in one weight. It is now available in five weights, from Thin to Black. Lucida Calligraphy is part of the Lucida superfamily of fonts from Bigelow & Holmes. Lucida is highly regarded for legibility and its extensive range of type styles. The Lucida Calligraphy typeface family has a Standard character set with 255 glyphs supporting the basic range of Latin languages.

Guerrer is modern sans serif family of 20 fonts, 10 weights from thin to black, consists of uprights and matching italics (obliques). It has 300+ glyphs which covers major western languages and has some features, such as fractions, ligatures, alternates, mixed case (unicase) stylistic set, tabular & proportional lining, etc. The mixed case (unicase) feature would be very useful for logo branding project which will give a unique touch to the logotype. Ink traps for bolder styles were adjusted to maintain the legibility at smaller size for both print and digital needs. The typeface was inspired by the strength and the boldness of warriors (guerrer in Catalan). Designed with high x-height and short ascender & descender. The ascender has the same level width the caps height. The uppercase G was specially designed to resemble the warrior head with his armor/helmet. Guerrer would be great choice for branding project, display poster, website, packaging, and broad range of graphic design projects.

Aurisha - Handwritten Font is an brush script font based on the expression of real handwriting, lets you transform type into an exciting and beautiful piece of work. Hand-lettered look adds a real human touch to things and comes along with a lot of loving details. Aurisha- Handwritten Font has lots of alternates that gives you possibility to build your text almost like handwriting with all the charming imperfections and variations that a real handwriting has. Aurisha will work perfectly for fashion, e-commerce brands, trend blogs, wedding boutiques or any business that wants to appear upscale

-OC Bartók is a beautifully crafted wedge serif available in ten styles. The maverick brother of -OC Rey, it adds a brutal confidence to the former’s classical elegance, and carries a sense of passion and drama which increases with weight; starting subtly in Light and finishing with a magnificent crescendo in Bold. Drawn from a mix of inspiration -OC Bartók is based on the readable skeleton of a gothic sans, has the high stroke contrast of a didone, while the sharp serifs and details like the notched R subtly tip their hat to the metal engraving style. The result is equal parts nefarious and majestic but never antique, suited perfectly for contemporary digital and analog applications. The large x-height and open apertures make it incredibly versatile, equally suited for logos and headlines in bold weights, and extensive copy in light. Designed with extensive language support and multiple open type figure styles and ligatures.

An elegant serif with contrasting lines and balanced curves. A lot of stylish alternates will give you many useful variations for use. Try to play with the compositions of curves / alternate letters. This font may be conservative and classic, but also may be more playful and modern. It is good for theater or art posters and for modern music, web-pictures or vinyl covers. Of course it also will be good for coffee shops, cafe's, restaurants, magazine's headers, signs or gift/post cards and weddings. Try to use it in your beauty or travel blogs, you will see how many options you will have with stylish Kristopher.

›Supernett was originally created in 2013. Now we decided to upgrade it: more styles, more glyphs, more features, more everything! Have fun with Supernett 2019.‹ Georg from FaceType

Supernett 2019 super revised version:

Supernett is a versatile text- and display-family and is perfect for space-saving headlines. All letters and numerics are availiable in three variants which alternate randomly with OpenType Contextual Alternates activated. One of Supernett’s key features is Wiggling & jumping letters: letters jump around the basline or tilt forward and backwards without a plan. Combine this with OpenType Contextual Alternates and let Supernett look truly hand-drawn with a maximum effect when applied to big typesetting. Further features include small caps, glyph alternates, case sensitive forms, fractions, symbols and many more. Supernett is a hand-drawn / handmade / handdrawn Sans-Serif font-family.

Supernett is available in three weights, two widths, Uprights and Italics. The handmade family is tailored for large font sizes but also impresses with seamless legibility in small type sizes. Due to it’s display origin and slightly condensed appearance, make sure to increase the spacing a little when used in text setting. The extensive character set supports 209 Central and Eastern European as well as Western European languages (for details, please see below).

OpenType Features

Alternating Letters
Letters and numerics are availiable in three variants which alternate randomly
→ OpenType Contextual Alternates

Small Caps
Supernett’s Small Caps mixes Upper- and Lowercase letterforms. Choose between »Small Caps« or »OpenType All Small Caps«. The latter replaces lower- AND uppercase letters, as well as the dotted i and activates punctuation to match the small caps’ height.

Wiggling letters
All glyphs tilt slightly and randomly forward and backwards
→ OpenType Swashes (or OpenType Stylistic Set 06)

Jumping letters
Each single glyph moves individually up or down
→ OpenType Titling Alternates (or OpenType Stylistic Set 07)
→ for a stronger effect, add OpenType Stylistic Set 08 (Jumping Baseline MORE)

Case Sensitive Forms
This feature shifts various punctuation marks to a position that works better with all caps typography.
→ activated when an app’s all-caps styling is applied

Slashed Zero
Make clear what you’re talking about and work with a slashed zero
→ OpenType Zero with a Slash

Fractions
Figures separated by a slash are substituted by proper fraction glyphs.
A date however, written like 10/12/2019 will remain unchanged.
→ OpenType Fractions

Alternate Glyph Set 1
→ OpenType Stylistic Set 01

Alternate Glyph Set 2
→ OpenType Stylistic Set 02

Alternate Glyph Set 3
The default glyph set. Activate it to disable Alternating Letters within OpenType Contextual Alternates.
→ OpenType Stylistic Set 03

Y Alternate
Choose between two different styles of Y
→ OpenType Stylistic Set 04

Underlined Uppercase O & ordinals
→ OpenType Stylistic Set 05
→ activate OpenType Ordinals to substitute No. by №

Uppercase I Alternate
There’s an alternate for the isolated ›I‹ (I love you)
→ included in OpenType Contextual Alternates
→ or activate OpenType Positional Forms: Automatic Form
→ substitute every single ›I‹ with OpenType Stylistic Set 09

Bullet Alternate
Choose between two different styles of bullet (•)
→ OpenType Stylistic Set 11

Squares and Circles
Type a – z and out pop squares and circles. All symbols are PUA-encoded for easy copy and paste between different applications.
→ OpenType Stylistic Set 10
→ or open your apps’ glyphs panel and double-click the desired symbols

Supernett is an organic and decorative hand-drawn / handmade Sans Serif display-family for packaging, posters, book-covers, kids- (children-), food- and logo-design and will best stand out in huge grades. Its handmade / hand-drawn origin is subtle yet visible.

Supernett supports 209 languages
Abenaki, Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Amis, Anuta, Aragonese, Aranese, Aromanian, Arrernte, Arvanitic, Asturian, Atayal, Aymara, Bashkir, Basque, Belarusian, Bemba, Bikol, Bislama, Bosnian, Breton, Cape Verdean, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Chickasaw, Cimbrian, Cofan, Corsican, Creek, Crimean Tatar, Croatian, Czech, Danish, Dawan, Delaware, Dholuo, Drehu, Dutch, English, Esperanto, Estonian, Faroese, Fijian, Filipino, Finnish, Folkspraak, French, Frisian, Friulian, Gagauz, Galician, Ganda, Genoese, German, Gikuyu, Gooniyandi, Greenlandic, Guadeloupean, Gwichin, Haitian Creole, Han, Hawaiian, Hiligaynon, Hopi, Hotcak, Hungarian, Icelandic, Ido, Ilocano, Indonesian, Interglossa, Interlingua, Irish, Istroromanian, Italian, Jamaican, Javanese, Jerriais, Kala Lagaw Ya, Kapampangan, Kaqchikel, Karakalpak, Karelian, Kashubian, Kikongo, Kinyarwanda, Kiribati, Kirundi, Klingon, Ladin, Latin, Latino Sine, Latvian, Lithuanian, Lojban, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Manx, Maori, Marquesan, Meglenoromanian, Meriam Mir, Mirandese, Mohawk, Moldovan, Montagnais, Montenegrin, Murrinhpatha, Nagamese Creole, Ndebele, Neapolitan, Ngiyambaa, Niuean, Noongar, Norwegian, Novial, Occidental, Occitan, Oshiwambo, Ossetian, Palauan, Papiamento, Piedmontese, Polish, Portuguese, Potawatomi, Qeqchi, Quechua, Rarotongan, Romanian, Romansh, Rotokas, Sami Inari, Sami Lule, Sami Northern, Sami Southern, Samoan, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian, Seri, Seychellois, Shawnee, Shona, Sicilian, Silesian, Slovak, Slovenian, Slovio, Somali, Sorbian Lower, Sorbian Upper, Sotho Northern, Sotho Southern, Spanish, Sranan, Sundanese, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tok Pisin, Tokelauan, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen, Tuvaluan, Tzotzil, Ukrainian, Uzbek, Venetian, Vepsian, Volapuk, Voro, Wallisian, Walloon, Waraywaray, Warlpiri, Wayuu, Welsh, Wikmungkan, Wiradjuri, Wolof, Xavante, Xhosa, Yapese, Yindjibarndi, Zapotec, Zulu, Zuni

View other fonts from Georg Herold-Wildfellner

Sofa Serif | Sofa Sans | Mila Script Pro | Pinto | Supernett | Mr Moustache | Aeronaut | Ivory | Weingut

Proudly Introducing you my new font collection – The Pretender. This collection was born and inspired by American sign painting typography and vintage package design. Wide range of styles for a wide range of use. This collection gives you awesome vintage look effect, which one will add the hand-touch feeling for your project. Light, Regular, Medium and Bold widths goes as Sans and Serifs and Normal or Expanded! And, of course, vintage candy Script! But that's not all – Every font comes as a Clear and Pressed style!