Introducing a vintage look layered label typeface named “Vintage Whiskey”. This typeface includes six styles (including effect styles), for sample look at 4th preview. This font will good viewed on any retro design like poster, t-shirt, label, logo etc.
A type that can’t decide whether it wants to be a headline or a text face. A characteristic feature of the Darbee Legend is its boxy forms and the angled (unpainted) terminals.
Desert Gold, Bold Ruler, Black Caviar – cuts of the Darbee Legend are named after some
of the best racehorses of all time.
Hot Dogs, Apple Pie, Baseball and great TYPOGRAPHY are deeply rooted in American culture. American Auto is a Type Family that embodies that culture visually. It joins a robust workhorse sans with a playful script that brings you back to 70+ years ago, while at the same time remaining as contemporary as any new 2019 design. This unique pair work together in harmony to create wonderful designs for a variety of uses. From book covers to posters, web sites to apps, American Auto is an excellent choice to create striking designs that stand out from the crowd!
American Auto also features many Opentype Features such as: Alternate Characters, Initial & Final Forms, Contextual Alternates, Old Style Figures, Lining Figures, Numerators & Denominators, Fractions, and more! This typeface has really been designed to meet any challenge that a designer can throw at it!
The origin story of HANLEY FONT COLLECTION all starts with the Script. We were designing logos and kept feeling like we needed a different kind of script, vintage feeling but not dated, and not too baseball-y or too formal. We couldn’t find exactly what we were looking for, so we decided to create it ourselves. After that we realized what we really wanted was good wood block looking lettering especially with small caps. And the collection just grew from there - a tall slim style, a monoline version of the script and of course a good sans. We topped off the group with a large selection of catchwords and extras with plenty of swirls, swashes and frames. Hanley has just enough irregularity to the edges to impart a human feel, but it’s still clean. Super versatile, all the styles work well together and can look authentically vintage or modern and hand-crafted.
Menco was inspired by the lettering of engineering, found on blueprints, mechanical drawings, stencils and templates.
The family has 5 weights, ranging from Thin to Black (including italics) and is ideally suited for advertising and packaging, editorial and publishing, logo, branding and creative industries as well as small text.
Menco provides advanced typographical support with features such as case-sensitive forms, fractions, super- and subscript characters, and stylistic alternates. It also comes with tabular lining and proportional lining figures.
Yotin is a contemporary half-serif inspired by summer days vibe. Vibrant, round with a little bit of contrast makes the design of Yotin unique, friendly and flexible at the same time, suitable for text, headlines, display and other design needs such as layouts, branding and anything in between. Yotin is here to serve your creativities.
Yotin comes in 9 weights from Thin to Black, each equipped with Italic plus
many OpenType features; tabular numerals, inferiors & superiors, numerators & denominators, fractions, ligatures etc.
Indikator is a family of humanist-style sans serif fonts. There are five weights in the Indicator family; these range from Light through Bold. Each weight has both an upright as well as an italic font on offer. The italic fonts contain slanted, or oblique-style letters. The letters in each of Indikator’s weights appear virtually monolinear, in terms of stoke contrast. Strokes end in either horizontal or vertical cuts, rather than in diagonals. The fonts have a large x-height, and the lowercase letters’ ascenders are taller than the heights of the capital letters. Indikator’s numerals are tabular lining figures; these are just as tall as the fonts’ uppercase. The fonts’ OpenType features include alternate forms for the ‘I’, ‘J’, ‘4’, ‘i’, and ‘l’ – as well as a more Scandinavian version of the ‘Å’. There is also an alternate version of the zero, with a slash running through its counter. Indikator had a lot of character and verve than many other humanist sans serif families. It feels a little ‘old-timey,’ like it is channeling design ideas from the first half of the twentieth century, rather today’s Silicon-Valley-style designs. Indikator is an excellent selection for use in corporate communication or editorial design work. It will surely also come to good use in publications about contemporary culture and lifestyle issues. Indikator is the work of Frode Helland, a type designer from Norway.
The lettering and 100 Extras for this font set, the third in P22’s Wright series, are derived from letterforms and decorative embellishments found in Wright’s early work (1893-1910) and in his book, The House Beautiful (1896-97). Wright based his delicate graphic designs on stylized natural plant forms; Terracotta users can adorn their graphic products with these beautiful motifs.
Terracotta Regular and Terracotta Alt have been remastered and now contain almost 400 characters including support for Western and Central European languages.
Calima is a humanist sans serif family available in six weights.
Its design roadmap was quite simple: try to bring the dynamism and spontaneity of italics to a stable sans serif.
The result is a fresh and spirited typeface with clean lines, equally suited for short text and display uses.
The fonts, available in Opentype format, include diacritics for most European languages and a variety of Opentype features : oldstyle and tabular figures, subscript and superscript, fractions, case-sensitive forms, localized forms and more.
Ador Hairline is the high contrast version of Ador. A humanist sans serif that falls in the “evil serif” genre, especially designed for contemporary typography and comes up with 7 weights from extralight to black plus true italics and 293 ligatures and initial letters. A large x-height not only creates space in the letters for extra-bold styles, but also lends Ador Hairline an open and generous character in the more narrow and semi-bold versions. The nice balance between sharp ink trapped and soft, dynamic shapes helps to work in small sizes. Diagonal stress, angled finials and the 4 degree true italic styles give Ador Hairline a dynamic look. The font contains 1.026 glyphs and a wide range of flexibility for Latin language support for every typographical needs. Ador Hairline is a contemporary sans serif typeface, special for logotypes, brands, magazines editorial and advertising uses.
Whittington is a revival of a congenial ‘modern’ typeface of the mid nineteenth century, unassuming and businesslike with an even colour that reads comfortably over long stretches. It is intended primarily for use in running text.
Whittington provides wide support for west, central, and east European languages that use the roman alphabet. Among its OpenType features are ligatures, small caps, several sets of numerals, contextual alternates, intelligent implementation of long ‘s’, and fractions. For more detail, please see the pdf available in the Gallery.
Ropest is a decorative script typeface, created by Måns Grebäck during 2018.
It keeps the same quality as any cursive font, while also being a brave display typeface.
The family comes in two styles; one primary that has the real rope appearance; one Black or solid, to be used by itself or as a background to the rope font.
It contains ligatures, and has support for all Latin based European languages.
From love into a fontface.
Font with the taste of coffee.
Made from coffee plant anatomy at local farmer.
Hope you enjoy to purchase with price of our “200gr premium green bean” :)
Arabica Variety.
Dokan, Region Karo - North Sumatra.
Indonesia.