Kiara Bland

Attractive type system comes in 104 styles and 4 widths with extended coverage of the Latin-, Greek- and Cyrillic Script. The design origins of Attractive are in early-20th centuries technical style aesthetics, but they are combined with nice humanistic characters and details. We also made the typeface a little soft with small round corners, that way it reminds print work with hot metal typesetting and its much more legible on screen. The shapes are optically corrected, yet retain an uncut charm. The Regular and Medium styles are an excellent choose for small text sizes and and the width expansion makes it a great tool for books and magazines, branding, posters, as well as web and screen design. Attractive type system is equipped for complex, professional typography with Open Type Features including — localized forms, standard ligatures, numbers in circles, subscripts, superscripts, numerators, denominators, arrows, currency symbols and fractions. Attractive is carefully hinted and optimized for screens. The fonts are a perfect choice for digital use. To continue with the lettersoup tradition , two styles of Attractive are available free of charge. Njoy and be attractive!

Introducing Seville Script Fonts the legacy, lifestyle and casual luxury with a natural free flow. This fonts also looks very sweet with her simple style. This fonts contains 4 variations, with opentype features such as stylistic alternates and gorgeous ligatures (225 Ligatures).

Seville Script Fonts perfectly paired with various visual needs with the concept of simplicity. It’s great for logo, printed quotes, badge, insignia, packaging, headline, poster, t-shirt/apparel, greeting card, and wedding invitation, & etc.

Seville Script Fonts includes 40+ Exclusive Wreath Logo Templates and hundreds of illustration objects that can be arranged into many logos or various other projects which you can modify as you want to create some gorgeous designs.

Karibu™ is a 100-font original, ultra versatile geometric grotesk family with a lot of character. It is designed for modern projects, to serve as display as well as paragraph text typeface.

It is perfect for lots of design situations - from magazine editorial use, logo design & branding, to web design, user interfaces and mobile applications.

Main features:
- 5 widths (Narrow, Condensed, Normal, Expanded, Wide), each consisting 20 fonts
- 10 weights for each width (from Hairline to Black)
- handdrawn, carefully crafted italics
- alternate stylistic set for more technical and minimalistic projects
- pronounced ink traps and large x-height improving legibility in small sizes and adding strong personality to display sizes
- flatten letter shapes adding vertical rhythm and elegance to narrow widths
- extended latin language support
- OpenType features (case sensitive forms, standard and discretionary ligatures, stylistic sets, contextual alternates, lining, oldstyle and tabular figures, slashed zero, fractions, superscript and subscript, ordinals, currencies and symbols)

Nuber Next is a modern geometric sans influenced by the popular neo-grotesques of the 1950s including Helvetica and Univers. Carefully remastered from the original Nuber type family to improve letter shape, overall uniformity and introduce a flexible width system capable of handling a wider variety of modern typographic methods. Details include 573 characters, nine weights, five widths with matching italics, alternative uppercase R, alternative lowercase a, e, g, i and y. Opentype features include five variations of numerals, numerators, denominators, fractions and language support covering Western, South and Central Europe.

Breton is a geometric slab serif typeface inspired by Boston.

Breton has a strong personality and it is an ideal face for headings and branding design. Its most noticeable characteristic is a great difference of proportions between rounded characters (like “o”, “c” or “e”) and non-rounded ones (like “n”, “m” or “z”). By combining them, you will be able to give your compositions a very unique rhythm.

Each font style comprises 417 characters, which support more than 200 Latin-based languages, as you would expect from Latinotype fonts.

Breton comes in 10 styles, from Hair to Black, and includes matching italics.

Breton was designed by Daniel Hernández and Rodrigo Fuenzalida.

Pilar and Ferran based Arlette on the fast stroke of one letter from a Roger Excoffon family, but along the way they abandoned that starting point in favour of experimentation. Many sans serifs are like a svelte black dress: functional, beautiful, and the unfussy outfit for a nice evening get together. The Arlette family isn’t like this. It’s a stunner — an incandescent reimagining of what defines a sans and how it can look.

Arlette explores the boundaries of the sans serif landscape and returns with forms developed from gestural vigour. Thinking of it as “painterly” may at first seem to fit, but it underestimates Arlette’s ability to master an unseen world of countless emotions and physical applications: magazines, branding, editorial, teen and young adult works, book covers, and a host of products and packaging whose content will be amplified with Arlette’s voice. Not only does Arlette use its eight weights plus italics to speak in Latin-based scripts, it is also fluent in Thai and has six weights (hairline through bold) with which it meets that challenge, whether in text or display.

Arlette Thai’s modern nature is seen in two features for the script. One is the decorative Thai characters that are based on original palm leaf manuscripts. Another is a version of the Latin numerals adapted to the height of the script due to their wide use in Thailand. Arlette Thai has been meticulously developed, including contextual kerning to avoid mark clashes.

Arlette’s OpenType capabilities include mathematic and scientific figures, positional forms, pointers, arrows, and oldstyle, lining, and tabular lining numerals. In addition to all this, it’s packed with swashes and swash ligatures in both scripts for enthusiastic typesetting. Because it pushes experimentation without compromising readability, both Arlette Thai and Latin are surprisingly legible in small sizes and arrestingly beautiful when their details can be seen.

Hi! Introducing a vintage style font Shining Night. This font has additional font file with round dots over the base glyphs, that immitates a lamp lights of a real cabaret signboard.

The Sangria Font Duo - a new fresh handmade calligraphy font.

Very suitable for greeting cards, branding materials, business cards, quotes, posters, and more!This font are perfect for wedding postcard. Or you can create perfect and unique design of your logo, blog, stationery, marketing, magazines and more :)

Script includes:
- UpperCase & Lowercase
- Multilingual Characters (AÀÁÂÃÄÅCÇDÐEÈÉÊËIÌÍÎÏNÑOØÒÓÔÕÖUÙÜÚÛWYÝŸŸÆŒßÞàáâãäåæçèéêëìíîïðñòóôõöøùúûüýÿ)
- Ligatures
- Alternates
- Punctuation & Numerals

Suns includes:
- UpperCase & Lowercase
- No numerals
- No multilingual characters
- No punctuation

Tabac Big can satisfy all expressionists desiring idiosyncratic colouring in setting because it provides black weights. But at the same time it offers solutions for orthodox environmentalists who like to save ink and toner — all the fragile hair styles are intended just for them. Less clearly-defined typographers can then choose from the six other weights, from Thin through Light, Regular, Medium, Semibold and Bold, including true italics.
Tabac Big is a first and universal choice where we look for pronounced display type as a complement to text type. Its modern drawing, made up of precise arcs, sharp lines and seemingly simple segments, gives a clear and unmistakeable impression every time. And yet the typeface knows how to intrigue — especially in shaping the italics, which fully expresses the typeface’s unique details, such as its large bulbous instrokes and outstrokes and heavy wedge serifs.

Hops And Barley - a Vintage Font Collection.

Hops And Barley includes following:
• 6 fonts - a textured and clean version of each
• Catchwords, textured and clean version
• Ornaments, textured and clean version

Hops And Barleys’ core is four font styles. Fonts are designed in the same proportions and they have the same soft edges so that they work great together. Here’s a short introduction to the fonts

• Hops And Barley 1 -A Connected Script with Contextual, Swash, Stylistic and Titling Alternates
• Hops And Barley 1b -A Bold version of Script
• Hops And Barley 2 -A Serif vernacular Swash, Stylistic and Titling Alternates
• Hops And Barley 3 -A sturdy Sans Serif with a wide character.
• Hops And Barley 3b -A Bold version of Sans Serif
• Hops And Barley 4 -A Condensed Sans Serif
• Hops And Barley 5 -A set of 61 Catchwords
• Hops And Barley 6 -A set of 71 Pictograms

Hops and Barley fonts have rugged outline and eroded texture inside the letters. Hops And Barley C stands for Clean - they are an identical set of the styles but they come with straight and clean outlines and softened edges.

Hops and Barley fonts work great together or on their own. They’re a fantastic choice for any display use and when paired they can cover the whole display part in any project from website to packaging and from poster to logo.

Gopher is a reverse contrast, geometric sans serif typeface with Normal, Text, and Display families. The 48 included fonts in the complete family range from hairline to heavy, with italics. A variation in the amount of contrast is what distinguishes the three separate families, while allowing them to still work in harmony together.

A typical contrast for typefaces is vertical (sides and stems are thicker and the horizontal tops and bottoms are thinner), but Gopher provides a unique look to the geometric sans genre by switching that contrast so the sides are thinner and tops and bottoms thicker. This approach was the most tricky to design in characters that have diagonal strokes, like v and k, but also yielded interesting results.

Text styles have the most subtle reverse contrast so they work best in smaller type settings and adhere to conventions a bit more. Normal styles have a moderate contrast where the unique characteristics are more evident. Display styles are the most dramatic as the contrast has been pushed more to the extreme for an immediate visual impact.

Gopher includes many OpenType features to enhance your typography:

• Swash capitals
• Stylistic alternates (a, J, I, 0)
• Standard and discretionary ligatures
• Case-sensitive punctuation for All Caps
• Fractions, superscript, subscript

With over 600 glyphs, this font has extensive Latin language support (100+ Latin languages) for Western, Central, and South Eastern European. Gopher will work great in a variety of settings for branding, advertising, posters, magazines, packaging, and more.

Grotesques can answer a really wide variety of design problems and go from small sizes to large without missing a beat.

Vinila is Flora de Carvalho’s take on the genre. The family’s multi-purpose intention comes from having 4 widths - from compressed to extended, each with 6 weights and obliques.

Rhythm and music played an important part in the design of this font, which started off as the lettering for a Brazilian Music album.

Its distinctiveness comes from having powerful ink traps that go from elegant and supple in the lighter styles to commanding and impactful in the heavier styles. A distinct rhythm is achieved, making it a strong face for editorial design, branding projects and so much more.

Vinila is the ideal companion to expressive display faces, where it serves a supporting role with a marked presence. We use Vinila every day in our own brand identity. We've had some of the best designers use it and test it in many different environments, printed, digital, mobile and more (they really like it!).

Also in the package, Vinila Variable is an experimental version of Vinila, where you can have a virtually infinite mix of weights, widths and slant, all from a single font file. Available when you license the complete family.

Vinila pairs happily with our cheerful Manteiga, elegantly with our organic didone Tenez and mechanically with our monospaced Odisseia. What other matches can you think of?

CoolKids was inspired by the song “Signs of Life” by Arcade Fire. Since the lyrics talk about some cool kids we wondered what a typeface with the name cool kids would look like. We immediately knew it had to be laid back yet bold and to stand out from the crowd.

After designing the bold script we decided to include a light, regular and medium weight to offer you more options for your designs.

It comes with initial and final alternates, that show up automatically, to make it feel more natural and similar to handwriting.
Every character was carefully drawn and connections are real smooth.

This casual font-family speaks most Latin languages, both in their basic and alternate forms.

CoolKids is great for creating logos, packaging, posters and much more.

More important than to create a font is to use it… so now it’s up to you to create something awesome with it. Feel free to share your designs with us via email to [email protected]
We would love to see and share them with the world!